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each featuring a reproduction of a different mobile by Alexander Calder
This oversize poster featuring Woman as Landscape (1954–55) and Untitled XIX (1984) was produced in 2025
she generates immersive meditative spaces in which perceptual boundaries dissolve
Working collaboratively with local printer Hidalgo Arnéra
It also features introductions by Fischer
Ed Ruscha: Rubber Bands Screenprint each featuring a reproduction ofPrinted in Venice, California, by Hamilton Press on Rives BFK paper, this lithograph by Ed Ruscha is a cancellation proof of one of four editions depicting the phrase. It originated as a drawing on Mylar, with the horizontal markings around the words applied with a spray gun. Outlined in Boy Scout Utility Modern, an unembellished typeface of Ruschas design, the phraselike many of the artists word combinations of the past half centuryis simultaneously
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