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Ave maris stella Matthias Kreuels Unlike the well-known settings of

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Description

Unlike the well-known settings of the "Seven Last Words" by Schütz or Haydn

for every performance he made numerous changes

with the use of sparsely employed modulations

Telemann’s unusually lightly scored Kyrie-Gloria Mass is a work of his Leipzig period (1701–1705)

The examination and evaluation of all relevant copies uncovered many and surprising new readings

Ave maris stella Matthias Kreuels Unlike the well-known settings of

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