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chorale cantatas and chorale settings come from six centuries and cover a wide stylistic range
Its tonal language is plastic and fervent
Most known works of this type were arrangements of orchestral works
Preludio e fuga in mi minore soprar il nome "Anna Picchiarini"
Präludium und Fuge d-Moll (1903)
Tota pulchra es series__Weihnachts-Historie SWV 435 SWV 435 (Schütz) chorale cantatas and chorale settingsThis setting is characterized by the use of Gregorian chant and melodious lines. The simple, sonorous and melodic treatment, even in the individual voice parts, with its accompanying piano figuration, is reminiscent of the treatment of Gregorian chant in French choral music of the 19th century. But Matsushita has found a tonal language entirely his own, with the use of sparsely employed modulations, short, flashing dissonances (especially between the
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