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16th–18th century Italian
but also offers a wealth of practical information on the long and multi-faceted performance history of the work
The work was written under the impression of personal tragedy: Haydn’s only child
Romanze (1902/03)
Extensively tried and tested with the children’s choirs in his music school
OperAria Bass, vol. 2 series__A Midsummer Night's Dream – Overture MWV P 3 Op. 21 (Mendelssohn) 16th–18th century Italianlyric dramatic Mozart: Wer ein Liebchen hat gefunden (Osmin Die Entfhrung aus dem Serail) Mozart: O, wie will ich triumphieren (Osmin Die Entfhrung aus dem Serail) Mozart: La vendetta (Bartolo Le nozze di Figaro) Mozart: O Isis und Osiris (Sarastro Die Zauberflte) Mozart: In diesen heilgen Hallen (Sarastro Die Zauberflte) Beethoven: Hat man nicht auch Gold beineben (Rocco Fidelio) Rossini: La calunnia (Don Basilio Il barbiere di Siviglia) Rossini:
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