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The cantata for the 20th Sunday after Trinity
it follows from the logic of composing a quadruple fugue that the combinations joining all four subjects and rendered the latest when performing the work were already completed in the very first stage of composition because the possibility of overlapping the four subjects (1+2+3+4) is the sine qua non of writing a quadruple fugue
The Bohemian composer Jan Dismas Zelenka was a double bass player and church music composer at the Saxon court of the Elector August the Strong and his son Friedrich August II
Shortly after its creation the work was performed and wildly acclaimed in Munich
The first portion of each volume contains a preface that discusses all relevant aspects of organ performance practice: (1) organ specifications and registration practices
Due pupille amabili, KV 439 violin The cantata for the 20th
