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Gounod’s Requiem
it follows from the logic of composing a quadruple fugue that the combinations joining all four subjects and rendered the latest when performing the work were already completed in the very first stage of composition because the possibility of overlapping the four subjects (1+2+3+4) is the sine qua non of writing a quadruple fugue
The Resurrection is depicted musically by ascending figures at the words “dum resurgere”
at Trinity
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Symphony No. 2 in D major Op. 73 [full score] ボルネフェルト Gounod’s Requiem
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