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with obbligato bassoon and continuo
A second aria – which is no less unusual –is a trio which is only accompanied by the continuo
prepared by experienced musicologists and performers for the first time from the original scores and parts
The work requires a large-scale orchestra with strings
but Bach uses it in all the movements
Te Deum, H 146 (Score) series__Credo in G RV 592 (VIvaldi) with obbligato bassoon and continuoIn 1953, with timpani and trumpets la Marseillaise, a French piece of music once again captured public attention (Eurovision Hymn) and a composer was rediscovered: the first recording of Marc Antoine Charpentiers Te Deum H 146 was released. The introductory fanfare not only praised God but the Sun King Louis XIV, and it opens one of the greatest works of French Baroque music. Magnificent celebration and ardent pleading, effective choruses, arias and
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