Missa pro defunctis（ヴォーカル・スコア） ジョージ・フリデリック・ヘンデル Zelenka also heightened the festive

Zelenka also heightened the festive character of the work by later adding parts for 2 trumpets and timpani

in which the individual movements consist of a series of vocal-instrumental scenes in the Czech language

In 1854 the triptych

thereby eradicating not only long-perpetuated mistakes

To a greater extent than almost any other oratorio it reveals with its gripping dramatic power its proximity to opera of its time

Missa pro defunctis（ヴォーカル・スコア） ジョージ・フリデリック・ヘンデル Zelenka also heightened the festiveFranz Supp wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Supp succeeded in writing a Requiem which remains within the theological liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest although hitherto unrecognized achievement of this work.