Pieter Dirksen discusses various aspects of these pieces' origins
Trio G-dur (nach BWV 1027/4 bzw
Protestant music in the period after 1750 is unimaginable without the cantatas of Gottfried August Homilius
Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns
we are publishing a high-quality clothbound full score including a Facsimile Supplement with selected reproductions of the sources
Evangelienrezitationen zur Markus-Passion (Score) Johann Nepomuk Hummel Pieter Dirksen discusses various aspectsDespite many newly composed interpolations, ranging from stylistic copies to modern interpretations, performing the Gospel text in Bachs lost St. Mark Passion continues to present many challenges for performers. With his recitations for narrator, gamba, and cello, Peter Uehling has found a way of maintaining the musical ow, while nevertheless preserving the fragmentary character of the work. The reduced musical language of the recitations places, so