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the identification of blackletter with failed Nazi ideology was inescapable
We don’t mess around with these
Hearts are OK
We’re pretty sure they weren’t part of the standard italics—which makes sense
And a neat example of Lucian Bernhard’s letterhead
Valdonega Aesthetic Line (VAL) bramdedoes the identification of blackletter withThe short text in this piece can describe this better than us, but the gist is that its an announcement for the acclaimed Stamperia Valdonegas approach to optical type sizes for digital types. An interesting document from its time.
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