Shadow Boxer (D.3) Macha Poynder to using a mixture of

to using a mixture of traditional brushes and untraditional tools

Joan Mitchell

Like sbc 194

despite its multiplicity

composition

Shadow Boxer (D.3) Macha Poynder to using a mixture ofThe Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between