C034 resin and pigment on canvas mounted on panel The resulting dynamic structures

The resulting dynamic structures

which later on manifest themselves partially within paintings

Gordon is interested in the visual conversation between colours

That digital montage became the model for the original painting

Side by side

C034 resin and pigment on canvas mounted on panel The resulting dynamic structuresThis work captures the emotive qualities of the Scottish landscape through a reductive technique. The artist uses a systematically derived palette, eliminating all brush marks via a subtractive process where paint is often removed. This creates ethereal surfaces that appear luminous, compelling the viewer to focus entirely on the chromatic field and its conceptual depth.