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There are related drawings at Windsor and in the Galleria dell'Accademia
confirming the date: 'Io
This portrait can probably be dated to c
Cleaning also permitted a clearer appreciation of Rembrandt's confident sweeps of the brush and thickly applied 'impasto' paint (see
According to Mannings and Postle
The Crucifixion Frame:black There are related drawings atThe composition derives from a type established by Quentin Metsys (see particularly his 'Crucifixion' in the National Gallery of Canada, Ottawa), but the picture does not seem to be the work of a close follower and probably dates from the late sixteenth century.
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