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the complex
By way of a playful approach
like gestural brushwork
Ghetti is interested in cross-disciplinary methods and tools
where he captures staged compositions of simple shapes
P076 Ashlynn Browning the complexThis work captures the emotive qualities of the Scottish landscape through a reductive technique. The artist uses a systematically derived palette, eliminating all brush marks via a subtractive process where paint is often removed. This creates ethereal surfaces that appear luminous, compelling the viewer to focus entirely on the chromatic field and its conceptual depth.
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