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Margrét Jónsdóttir
nicht nur im Frühjahr und zur Osterzeit
WE TOO contains a sentimental homage to my father using some of his photos in a postmortem collaboration—and an expression of love for a friend—floating along in various page-to-page sequences
an anonymous 14th century text of theological mysticism whose main proposition is to surrender one’s mind to a realm of "unknowingness”
or the contours of a continent
Vidio Plans (1972-74) Green Magic Margrét JónsdóttirPublished on the occasion of an exhibition at New Reform in Aalst, Belgium in 1974; consists of detailed schematic drawings and storyboard for film works, reproduced in b w, in these works the artist plays with the theme of identity and its fluidity, with a reproduced photograph, reproduced handwritten notes and sketches as well as an artist bio, offset and mimeographed. Text in English. Loose A4 sheets held together by a paperclip, 22 not numbered
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