![Soft Eyes | Henry Wessel, Austin Leong, Adrian Martinez | Deadbeat Club 2024 [SIGNED] Sogo Tosho shot the entire series with](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN9640cover.jpg?v=1737644423)
![Soft Eyes | Henry Wessel, Austin Leong, Adrian Martinez | Deadbeat Club 2024 [SIGNED] Sogo Tosho shot the entire series with](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN9640_13bb7bb3-a9ae-48a0-b4ad-869eacd1adc3.jpg?v=1737644423)
![Soft Eyes | Henry Wessel, Austin Leong, Adrian Martinez | Deadbeat Club 2024 [SIGNED] Sogo Tosho shot the entire series with](https://cdn.shopify.com/s/files/1/0039/3258/6048/files/DSCN9641_2fe9196a-43c4-4bdf-b937-2a65a759d027.jpg?v=1737644413)
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shot the entire series with his cell phone camera
Depicting her hometown in Tohoku in her series soundless river and capturing snowy landscapes without specifying a location in her series winter
actively publishing and exhibiting his own works on the one hand while also creating a memorable body of projects on commission on the other
The dustjacket has some light scratches
as only one boat was still fishing
Soft Eyes | Henry Wessel, Austin Leong, Adrian Martinez | Deadbeat Club 2024 [SIGNED] Sogo Tosho shot the entire series with" 'Soft eyes', the late Henry Wessel once wrote in describing the way he went about looking for photographs, is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore. In this smart and tender act of homage, Wessels photographs (many of them previously unpublished) are combined with the work of two younger California photographers, Austin Leong and Adrian
