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John Baldessari‘s Hand and Chin (with Entwined Hands) (1991) is a compelling example of the artist's mature conceptual language
Queen (from Köpfe)
tropical vegetation of Brazil's Atlantic rainforest with exceptional sharpness and detail
a motif originally derived from a 19th-century mail-order catalogue and later appropriated by Max Ernst in his Surrealist collages
poised between composure and collapse
Sarah Morris – Taurus (Origami) Peter Halley John Baldessari‘s Hand and ChinSarah Morris's Taurus (Origami) is a nine part digital pigment print leporello that unfolds into a dynamic, 225 cm long panoramic composition. Printed on paper and issued folded as published, the signed print exemplifies Morris's ongoing investigation into abstraction, architecture, and the visual languages of finance and urban power. The intricate network of angular planes and intersecting lines recalls both origami structures and the faceted
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