Fine Print: Girl at the flower shop. New York, 1958 David Hurn Four vibrant frames document a

Four vibrant frames document a public moment of collective mourning in Warsaw

and empathy for

The task was a considerable challenge and Peter was particularly concerned that the scale should be right

Lindokuhle Sobekwa

domesticated and wild

Fine Print: Girl at the flower shop. New York, 1958 David Hurn Four vibrant frames document aAfter quitting LIFE magazine in 1954, W. Eugene Smith moved into a shabby loft in New Yorks flower district. Smith described the broken window as the proscenium arch with me on the third stage looking through it, and the whole audience in performance down before me, an everchanging pandemonium of delicate details and habitual rhythms. LIFE published this work, As From My Window I Sometimes Glance, under the headline Drama Beneath a City Window on