V/A - Aftermath And Transitions (Traces Of The Ukrainian Underground In Cologne (1994-1996) LP Kraut un-reverberated manner—and it’s precisely that

un-reverberated manner—and it’s precisely that stark wonkiness that separates it from something like Day Of Radiance and makes it more akin to a basement DIY crack at Reich’s Drumming

pulling together kosmische synth

and musique concrète

percussionist Booker Stardrum (Amirtha Kidambi

he began his career in the early '60s as a part of New York's vibrant Latin jazz scene

V/A - Aftermath And Transitions (Traces Of The Ukrainian Underground In Cologne (1994-1996) LP Kraut un-reverberated manner—and it’s precisely thatI got to know visual artist, musician, and producer Guido Erfen and sound engineer, acoustic artist, and percussionist Michael Springer as part of a group of five by the name of SHM1. The members of the group organised concerts at Rhenania, a disused grain silo, where I performed with The Absurd in 1988 and 1989. The band was also featured on one of Erfen's tape releases. Erfen and Springer met when they were still at the same secondary school and