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an essay by Brother Marc Chauveau
distinguished by new modes of display such as sculptural pedestals incorporating digital animations and a circus tent that doubles as an indoor cinema—innovations that are also reflected in the book
A comprehensive chronology by Lauren Mahony contextualizes the series within Wesselmann’s career and the fast-changing culture of the US in the 1960s
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Motifs in his paintings from the 1980s such as Untitled XIX emerged from a repertoire of human forms and evocations of places that the artist developed through his layered compositions of the 1950s
Richard Prince: Bob Dylan Thomas B. Hess an essay by Brother MarcThis poster featuring Untitled (Dylan) (2014) was produced in 2025, in conjunction with Richard Prince: Bob Dylan, an exhibition at Gagosian, Beverly Hills. The trio of ten foot square paintings depict in gauzy black and white a detail of the famous portrait shot of Bob Dylan by Jerry Schatzberg, which was reproduced on John Bergs cover design for the 1966 double LP Blonde on Blonde. Prince builds on the slight blurriness of Schatzbergs
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