Mary Weatherford: Train Yards Allison Glenn Richard Calvocoressi interviews Frank Auerbach

Richard Calvocoressi interviews Frank Auerbach

Sin—Without is based on a 1991 painting made during a period in which Ed Ruscha often worked in black and white

he forms composite images of faces and figures that resemble collages but are in fact painted and drawn

He then applies pigment around the covered area with unconventional tools

Curated by John Coplans

Mary Weatherford: Train Yards Allison Glenn Richard Calvocoressi interviews Frank AuerbachThis book was published on the occasion of the exhibition Mary Weatherford: Train Yards at Gagosian, Grosvenor Hill, London. The paintings in Weatherfords Train Yard series (201620) evoke both a celestial night sky and a nocturnal view of train yards and tracks, replete with heavy, clanging machinery, bright lights approaching and receding, and harmonic whistles. The series is the artists first body of work in nearly a decade to partially eschew neon,