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chosen for their interesting key relationships and contrasting moods
edited by the Reger scholar Michael Kube
Shortly after he had sent it to his publisher
along with some thought-provoking ideas for the pianist
which brilliantly confirms once again that Mozart's piano style is ideally suited to the "flute and guitar" combination over wide stretches
Beethoven, Ludwig van - Piano Sonata No 4 Op 7 *RhthymMP chosen for their interesting keyCarl Czerny wrote the following about Ludwig van Beethovens Grande Sonate op. 7, published in 1797: The epithet appassionata would fit much better to the Sonata in E flat op. 7, which he wrote in a very impassioned mood. As to whether the reason behind his passionate music was the composers attraction for his then 16 year old pupil Anna Luise Barbara Countess von Keglevich remains open. It might be that the dedicatees father commissioned Beethoven to
