Lovreglio, D - Fantasia sull'Opera "Un Ballo in Mschera" (Verdi0 for clarinet and piano *Billaudot contains very interesting divergences from

contains very interesting divergences from the printed version as far as articulation

Guantanamera — Diaz

Recent research suggests that the composition most probably came from the pen of Bach’s oldest son Carl Philipp Emanuel

Clues to the overall spirit of the music often spill over from the piano accompaniments

they can be seen as the products of Bach‘s own “Sturm und Drang” period

Lovreglio, D - Fantasia sull'Opera "Un Ballo in Mschera" (Verdi0 for clarinet and piano *Billaudot contains very interesting divergences fromDonato Lovreglio (1841 1907) Fantasia sull' opera Un Ballo in Maschera di G. Verdi (1865) Donato Lovreglio was born in Bari but spent most of his life in Naples. He was a flautist and composed many pieces, mostly operatic fantasies, for his own instrument, but in 1865 he also published three fantasies for clarinet and one for oboe. Those for clarinet were the well known Fantasia on La Traviata, a Fantasia on Donizetti's Maria Stuarda and the present