Albert Oehlen Jean-Christophe Ammann and we highlight a range

and we highlight a range of practitioners

Coup de Chapeau I represents the playful and explosive energy of a cartoon brawl

Investing a cinematic allusion with references to the histories of modern painting and graphic design

This book is the first to examine the connection between these two artists

and stills from films included in the exhibition

Albert Oehlen Jean-Christophe Ammann and we highlight a rangeThis book was published on the occasion of the exhibition Albert Oehlen at the Serpentine Galleries, London, which brought together a group of Oehlens paintings and drawings, dating from the 1980s through 2019, that interpret, appropriate, and remix visual elements from John Grahams painting Tramonto Spaventoso (Terrifying Sunset, 194049). As the focal point of the exhibition, Oehlen created an installation of monumental diptychs and triptychs within