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the composition’s relatively spontaneous look aligns it with an intuitive alternation in Marden’s practice between more and less controlled approaches to the image
captures the temporal culture of visual art to which the Oxyrhynchus canvases belong
a “castiron calendar” might be
encouraging viewers to discover new personal connections and continuities
and journal entries
Zeng Fanzhi: Catalogue Raisonné, Volume I, 1984–2004 Cotton the composition’s relatively spontaneous lookThis comprehensive volume chronologically illustrates every recorded work from the first two decades of Zeng Fanzhis career from 1984 to 2004, including his early portraits and abstractions, as well as the celebrated Hospital (199192), Meat (199294), and Mask (19942004) series. Edited by Gladys Chung and supported by Gagosian, the publication features essays by Fumio Nanjo, Philippe Dagen, and Tsong zung Chang, along with images of never before
