Winter in Grasmere, 1951 by William Heaton Cooper R.I. (1903 - 1995) [PRINT]:Mounted Print 285 x 235mm / 11.2 x 9.3 inches the glaze responds to the

the glaze responds to the shifts in the firing process

The surface is double coated for optimum absorption of paints

the monarchs of English mountains

Uniting the nostalgia of family-made paper ornaments with the poetic intricacy of its form

It has a rough natural texture and in Nepal is usually used for manuscripts and woodcut prints

Winter in Grasmere, 1951 by William Heaton Cooper R.I. (1903 - 1995) [PRINT]:Mounted Print 285 x 235mm / 11.2 x 9.3 inches the glaze responds to theOne of many paintings William did of his home valley, this is a marvellous example of using both wet and dry watercolour brush together in order to depict all of the water reeds, trees and bullrushes by the lake. This rustic setting is completed by a tide of rising mist coupled with chimney smoke escaping out of the village, into the cold air. "What sensation is more delightful than that of tramping along while the crisp snow crunches under foot, and