Jonas Wood: Clippings Heather Phillipson this iconic self-portrait captures both

this iconic self-portrait captures both the artist’s inner thoughts and his outwardly projected identity

and bold tonal contrasts of Untitled (Angel) also encapsulate the radical fusion of street graffiti and expressionist easel painting that made Basquiat a household name

Penone brings out the subtle yet intrinsic similarities between subject and material: the eye captures images with light

Roma offers a hard-boiled tour of classical grime

and Terry Winters each reflect on de Kooning’s late works—Brown and Winters via excerpts from talks given at the 2011 de Kooning Now symposium and Oehlen

Jonas Wood: Clippings Heather Phillipson this iconic self-portrait captures bothPublished by Karma, this volume brings together paintings by Jonas Wood of plant clippings. Plants have long been a subject of Woods work, whether on their own, within paintings of interiors, or alongside portraits of people. In Clippings, Wood depicts segments of plants that have been literally clipped or borrowed from his other paintings and are rendered here in the colorful, graphic style that has become synonymous with his oeuvre.