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New York—the artist’s first solo museum show in the United States
they discuss how their art is informed by the history and resonance of objects
sketched in colored pencil—a distinctive example of the artist’s research focused on the body and flesh of her subjects
an essay by Arnauld Pierre considers the importance of the stabile in Calder’s work
This sculpture
Ed Ruscha: Bow-Tie Screwhead Shanay Jhaveri New York—the artist’s first soloEd Ruscha created Bow Tie Screwhead in collaboration with Universal Limited Art Editions, New York, in 2003. It is from a series of prints titled Bow Tie Landscapes. Printed on heavyweight Somerset velvet paper, it depicts a mirrored image of Californias desert outcroppings overlaid with a motif consisting of two white screws joined at their tips. Its silhouetted shape acts as a positive image, while the landscape behind forms a curious kind of
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