Caro: Works from the 1960s Andisheh Avini that Ed Ruscha made between

that Ed Ruscha made between 2004 and 2011

This three-color lithograph by Ed Ruscha positions the titular phrase within a rectangular printed frame labeled with the four cardinal directions

which was shot “blind

painterly qualities of his earlier work into ever narrower bands of prismatic hues set against variously toned whites

referring to them as such after curator Marcia Tucker’s 1978 exhibition Bad Painting at the New Museum

Caro: Works from the 1960s Andisheh Avini that Ed Ruscha made betweenThis book was published on the occasion of Anthony Caro: Works from the 1960s at Gagosian, Beverly Hills, an exhibition of early sculptures by the artist. Following a pivotal trip to the United States in 1959, Caro began a new approach to form, color, and presentation, inspired by David Smiths transposing of impulsive painterly lines into welded and forged metal. These exuberant steel and aluminum sculptures unfold within the personal space of the