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1970) are perceptive investigations
They stand in the continuum of Tilman’s exploration of the ‘painted object’ or painting
Adams works on panel and paper
These painted objects almost resemble modernist buildings – just on a smaller scale - opening up spaces to explore the ephemeral quality of light within a given spatiality
The interplay of the elements’ scale let McCagg develop the depth and power of the relationship of one form to another
Ink #8 (Fraying) Bill Kane 1970) are perceptive investigationsImage size: 11 x 8. 25 28 x 21 cm. She layers paint in gestural, horizontal swaths from left to right, stacking the horizontal bands from top to bottom of the surface. An interplay of complementary colors creates a sense of push pull, endowing her compositions with nuanced luminosity. Scraping and scumbling the layers of paint, Berger gives her paintings a textured, painterly, material presence.
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