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despite its multiplicity
and paint thinners)
light and time
raw canvas
Working not from a precise recollection of forms
Shadow Boxer (D.1) Macha Poynder despite its multiplicityThe Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using the geometric vocabulary found in architectural schemata, Bolt tries to create a dynamic tension between
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