Everything Was Beautiful And (Almost) Nothing Hurt Ellen Priest These painted objects almost resemble

These painted objects almost resemble modernist buildings – just on a smaller scale - opening up spaces to explore the ephemeral quality of light within a given spatiality

The threaded line forks out creating an opening onto the painted ground

inspired by a cognitive/emotional spark

The textured appearance of her paintings emanates from the intervention of common household products such as paper towels during the painting process

backed with

Everything Was Beautiful And (Almost) Nothing Hurt Ellen Priest These painted objects almost resembleThis captivating photograph captures the essence of New York through a unique lens. Wajdowicz, known for his minimalist and semi abstract approach, relies solely on in camera techniques to craft his images. Archival pigment print, blind embossed stamp and signed by the artist. Limited edition of 9. Shipments are in a hard tube, protected with acid free tissue.