Wish #N/A Hallard constructs monochromatic and semi-monochromatic

Hallard constructs monochromatic and semi-monochromatic images of recognizable geometric forms such as squares and rectangles on paper and aluminum

Berger gives her paintings a textured

These artworks were a reaction to the more serialized and geometric work Adams was doing

transformed

They explore formalist qualities like surface and paint while never shying away from content

Wish #N/A Hallard constructs monochromatic and semi-monochromaticSpielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the